One of the common threads through many of their predictions was mobile — the impact smartphones and tablets and apps will have on how news is reported, produced, distributed, and consumed. (Not to mention how it’s paid for.) Here are Vivian Schiller, Keith Hopper, Jakob Nielsen, Alexis Madrigal, Michael Andersen, Richard Lee Colvin, Megan McCarthy, David Cohn, and David Fanning on what 2011 will bring for the mobile space.
After two decades of saying that “this is the year of mobile,” 2011 really will be the year of mobile.
My wild prediction: 2011 will be the year of media initiatives that serve poor and middle-income people.
For 20 years, almost all native Internet content has been made for the niche interests — often the professional interests — of people who make more than the median household income of $50,000 or so. But one of the best things about the mobile Internet is that it’s finally killing (or even reversing) the digital divide.
Poor folks may not have broadband, but they’ve got cell phones. African Americans and Latinos are more likely than white people to use phones for the web, pictures, texts, emails, games, videos, and social networking. As hardware prices keep falling, we’ll see more and more demand for information that is useful to the lower-income half of the population — and thanks to low marginal costs, people will be creating products that fill that need. It’s about damn time, wouldn’t you say?
Murdoch’s iPad Daily will be surprisingly successful. I say it gets mid-six figure subscribers by the end of the year.
The iPad newspaper will launch and, while it won’t fall flat on its face, it will be exactly what is described at the end of EPIC 2015 — a newsletter for the elite. Odd that it will be digital but suffer the end fate of newspapers as described in that video.
I predict smartphone penetration will break 50 percent in the U.S., creating a tipping point in mobile web traffic. The web folks will then finally wake up and smell the mobile. Ubiquitous support for HTML5 and geolocation will sweeten the deal, and we’ll see some exciting new news experiences delivering proximally-relevant immediacy to your mobile devices in 2011.
The cost of creating dedicated apps for mobile phones and iPads will continue to fall and some news executives may conclude that the apps are an end in themselves, and that they can continue to provide their audiences with the same content they’ve always given them. But it will become clear over the next 12 months that delivering old, worn content in a new package will not be enough to keep traditional news organizations profitable over the long term.
1. Growth in for-pay content.
2. Strong growth in mobile content.
3. Mobile often means short, so need to find ways to be interesting and brief beyond simply being snarky.
iPad magazines/newspapers will figure out a way to display across platforms or else they be considered an elite novelty.
The tablet reader — the iPad et al — is the big game-changer. Not only is it going to revitalize print and launch an exciting new era of editorial design and execution, it is the real promise of convergence we’ve been talking about for so long. It’s going to be a wonderful challenge to create the new publications. It’s also a device that seems to offer a subscription or pay model that is quite natural and acceptable to readers and viewers.
For Frontline it is the bright hope. As broadcast appointment viewing declines, we’ve seen more and more viewers go to our website (we’ve been streaming our films since 2000), but also worried that with shorter and shorter attention spans, we were sowing the seeds of our own destruction. Now I can see a future for this idea we’ve defended for so long — intelligent narrative documentary journalism — and it’s on my lap. I can comfortably watch at length without a twitchy finger on a mouse threatening to pull me away. I can pause and see the film wrapped together with the best of literary journalism. I can experience the resurgence of great documentary photography, and of course I can connect to the living, pulsing web (if I have to). I can decide to throw my film up onto my widescreen TV, and sit back and watch, but most of all, I will have it all on my virtual bookshelf. That means I will have to be making journalism that lasts, that is not disposable, that is so well made it’s worth keeping. It’ll sit next to my ebooks; in fact it will be a form of ebook.
As magazine publishers rush onto this new platform, photographers and filmmakers are already embedding their video in the pages. Books like Sebastian Junger’s War are scattering short pieces of video actuality in the narrative, and there is at least one chapter that is a longer mini-documentary, on Sal Giunta, the Medal of Honor winner. But these are more illustrations than longer narrative works. Our challenge at Frontline will be to publish our longer films and embed within them other terrific journalism that both echoes and complements our stories. That’s going to be fun to design and edit.
So this new technology, the tablet, will expand our editorial horizons, force us to make new partnerships, collaborate with more writers and photographers, and find ways to invent a new kind of publication, while holding onto some old ideas about the appeal and strength of good journalism.