Editor’s note: Melody Joy Kramer — you may remember her from 2012 Lab profile — has spent most of her career in public radio, working to improve audience engagement and digital connection. We’re lucky to have here at the Nieman Foundation for eight weeks as a Knight Visiting Nieman Fellow. Her project while she’s here: to rethink the membership model of public media to extend beyond just monetary gifts. Here’s an introduction to what she’s working on; she’d love to hear your ideas about it.
In February, the White House announced that every fourth grader in the country will now receive a pass granting them and their families free admission to all the National Parks for a full year.
The White House says the idea is to get kids into safe outdoor spaces, and to make it easier for children to be outside instead of in front of screens. I suspect it also has some substantial additional benefits. Many of those fourth graders — not to mention younger and older siblings, parents, cousins, grandparents, friends, etc. — will eventually:
The concepts of membership and loyalty have a long history in the fields of social psychology and organizational behavior. In general, this research shows that people who identify with an organization describe themselves to others in terms of the organization. (For example, people who identify with public media are likely to describe themselves as NPR listeners on social networks and on dating websites.)1 And when people identify with an organization, they exhibit higher and longer-term levels of loyalty and are more likely to formalize their identification by becoming members through donations.
Though membership has always been a core part of public media, over the past several years, public radio has been grappling with new questions concerning membership and listener loyalty. The traditional form of building membership and leveraging organizational loyalty — the pledge drive — has declined in effectiveness, and new conversations are beginning about how to recruit and retain members who access content off-air.
The existing membership model for public radio is largely based on a single assumption: that people who want to listen to the kind of high-quality programming that public radio provides will eventually find and then listen to public radio — on the radio, in the car, or on a mobile device. But the assumption that public radio provides a particular type of listening experience may no longer be accurate. As Kevin Roose noted last October, 50 percent of all cars sold in 2015 are connected to the Internet, and 100 percent of cars will be connected by 2025. Though several stations have developed mobile apps, and NPR has developed mobile apps and continues to create experiences for connected cars, several for-profit podcasts and podcast networks — like Gimlet, 538, Midroll, BuzzFeed, and Slate2 — now sound virtually indistinguishable from the NPR aesthetic,3 and will grow alongside other podcasts4 as they become easier to access in the car, which remains the predominant listening place for audio. (44 percent of all audio listening currently takes place there.)
The rise of connected cars will also require new techniques to engage current millennials5 and Generation Y-ers, who are not likely to age into the same listening,6, commuting,7 or donation habits8 as previous generations. Millennials are more likely to give a little amount of money to a lot of organizations,9 though they’re not likely to give large amounts, and may be more likely to invest in a once-off Kickstarter campaign that makes them feel like part of a larger community or cohort than to become a re-occuring donor or sustaining member.10 Like their parents, however, they’re more likely to support or invest in an organization if they feel some connection to the organization, its mission, or the benefits of becoming a member.
These trends demand new ways of thinking about public radio membership and about the relationship people have with their public radio stations. The question is: What, exactly, does it mean to be a member of a public media station? What could it mean? And how could expanding the definition of what it means to be a member — and what that membership itself means — enhance and strengthen both our relationship with public media and public media itself?
These questions form the basis of my Knight Visiting Nieman Fellowship. While at Harvard, I am planning to create a new model of membership within public media that will complement already-existing forms by offering membership to people who may not be able to donate financially, but would like to donate a skill or their time to their local stations. I suspect this will inculcate a sense of identity and ownership amongst listeners, allowing them to feel more invested in public radio’s content, work, and mission, while also transforming public media stations into public community spaces that continue to fulfill the original mission.
Imagine, for instance, if you could contribute in a meaningful way to your local station — through code or digitizing an archive or suggesting a story idea — and receive, in return, the ability to record a podcast in an empty audio studio? Imagine if public radio stations functioned as Main Streets, as my friend Lily Bui once said, or in the same way that local public libraries do? It would transform the way people could interact — and participate — in the local news process, and would enhance the stories stations put out on air.
Throughout the project, I will be going public too. I am conducting the fellowship as a series of two-week-long sprints and am making all of my progress public. (You can see what the first one looks like here.) I’m structuring the fellowship this way, in part, so that I can talk to people across public media (and across other industries) to› inform what I build or create, and so I can hold myself accountable as the fellowship progresses. I also plan to make all of my research public and all of the software open source, so that anyone can adapt it for any organization.
Over my two months here, I plan to do a number of things:
My goals for the project are to to see whether people who contribute code, time, or a skill to a station feel more invested in the station’s future — and derive benefit from the experience themselves. I am also excited to get a conversation started within public media about creating opportunities for the public to see and participate in the process of making news, and not just broadcasting our news out to the public.
Melody Kramer is a 2015 Knight Visiting Nieman Fellow and is currently serving a two-year term appointment with 18F. She was previously a digital strategist and editor at NPR.