Last year for Nieman Lab’s 2020 predictions, I received and published an auspicious article from the future — from the year 2073, to be exact.
After revealing that missive, I heard from many journalists and newsroom folk of today that the journalists in the future seem to have discovered inspired answers to many of the gnarly questions we’re grappling with now. They longed to live in that future reality. And the most exciting aspect for many was the idea of “power mapping.”
To summarize, here’s what the missive from the future says is going to happen: Some feminist cartographers (most of whom have yet to be born, not all of whom will identify as women) will generate a new visual language to help people quickly understand how power flows in any given system. They will develop an intuitive iconography that can be universally understood and applied, and which doesn’t require written or verbal language skills for the viewer to understand what’s happening and what power dynamics are at play.
Storytellers of all kinds in 2073, especially journalists, see this power lexicon as an indispensable and productive method to increase people’s interest in “the news” and to participate in shaping society. Why? Because it’s only when people understand the power dynamics of any given situation that they can shape how that situation resolves or evolves. Knowledge is power; maps are a knowledge format.
Over the course of this past year, I’ve been trying in a variety of mystical and mundane fashions to tap into and download more details about how this whole field of power fluency/power literacy comes to take shape.
The good news: I have some updates!
But to make it happen, newsrooms must start now to make power part of every storyline, to set the foundation for these cartographers to begin developing this language. I’m sorry to add that responsibility to all of your overflowing plates.
What I’ve been tasked to do is provide a few starting points for inspiration for you, dear reader, to begin experimenting with making power the central character and the animating force of your reporting. I hope this helps. <deep breath>
Eric Liu is a Taiwanese-American civic innovator, who started and runs an organization called Citizen University. He wrote a book in 2018 entitled You’re More Powerful Than You Think: A Citizen’s Guide to Making Change Happen. I have read and reread it, and bookmarked the page that outlines the three rules of power. Now that I know them, I see them at play everywhere.
My challenge to you is to consider the following: What would it take for these rules to become common knowledge? How might stories in the news call out which laws of power are at play?
With a solutions lens to reporting, how might journalists also share knowledge of where the leverage points are in the system? (This would no doubt help the public see what’s happening underneath the plotline of names and details, and give them a shorthand for doing their job as citizens in a democracy.)
What if every news story, no matter the form, helped people understand the foundational and systemic structures that are keeping things as is, creating conflict, or enabling new power to flow and, therefore, create new realities?
If journalism’s theory of change is that, by providing updates on “what’s happening,” people are enabled to form opinions and take action — wouldn’t revealing the storylines of power supercharge that ability?
How might newsrooms report equally on the power that already exists, to the infinite new power that’s being created? (E.g., who is starting to gather people, ideas and energy to do something differently?)
The book New Power: How Power Works In Our Interconnected World and How to Make it Work For You, by Jeremy Heimans and Henry Timms, is dedicated to unpacking how old/traditional forms of power differ from the types of new power made possible by this digitally connected world. The following two charts in the book show some of the key differences:
Old power values:
New power values:
Old power: Currency. New power: Current.
Old power: Held by few. New power: Made by many.
Old power: Download. New power: Upload.
Old power: Leader-driven. New power: Peer-driven.
Old power: Closed. New power: Open.
My challenge to you is to consider the following: What if every piece of journalism helped the public understand whether old or new power dynamics and values were at play? How might using this framing help generations better understand one another and why some approaches just will not work anymore?
What if reporters made explicit the values systems that are driving the sources in their stories to make the decisions they do? What might happen if newsrooms examined their own values, and whether they aligned more with old power or new power?
You may be familiar with the idea of “hard” and “soft” power. Soft power is the ability to use influence and attraction — rather than force, threat, or rules (hard power) — to make change happen.
You’ve definitely seen it at play in your life and work. That colleague of yours who doesn’t have a leadership title, but somehow manages to get their ideas heard and acted upon? They’re masters of soft power. That boss who gives orders and uses threats as their main way of making things happen? They use hard power as their instrument.
My challenge to you is to consider the following: What could it look like if every news story explained the soft and hard powers at play?
How would our journalistic narratives around gender change if we paid more attention to soft power, and the advantages it has in uniting and bringing people along with change? (Note: Many people who do not identify as women excel at soft power, so don’t reduce hard and soft power to the sex or gender identity of a person.)
How useful would it have been to understand the 2020 election through the lens of soft and hard power? At one point or another, we all wondered: Is he actually allowed to do that? Having an explanation of hard power would have helped people make sense of, and perhaps ease some anxieties about the many ways things could unfold.
In short, there will be a plethora of formats. The maps may show up as a sidebar in a story that names the players and gives bullet points on the types and qualities of the power at play. There will be “layers” you can turn on in a story to see the chronological poetry of power-shifting playing out over some period of time.
There will arise a handful of common patterns — shapes of power — that are used to give a shorthand visual for the dynamics at play. And, of course, there will be videos that accompany stories that give people the simplified overview of where power is being exerted, where it’s stuck, and what the outcomes are.
That’s all I know for now — and I’m excited to see what you visual thinkers come up with.
Humans are, of course, storytelling animals. When see a pattern, we unconsciously lock into it and then jump to conclusions in an effort to minimize confusion and maximize sense. This proclivity is a nuance-killer, a compassion-stripper, a destroyer of the ability to hold two competing narratives in one’s head simultaneously and recognize when a false dichotomy is at play.
In short: Power maps can also be dangerous.
What do I mean? Take a brief 1:32 to watch this video produced by two researchers, Heider and Simmel, in the 1940s.
What did you see? Was this a story of abuse? Was this a love triangle narrative? Or some kind of alien invasion? Reasonable people can and will disagree. They will locate a pattern and depending on their life experience, and skip straight to one of a handful of conclusions. (Credit here to the brilliant scholar and writer Jonathan Gottschall for giving this talk that inspired these realizations.)
Okay — so then what? We need to be sure we make power maps editable and iterative. Power, like the stuff that flows through our home’s electric circuits, is not static. These visualizations and explanations must be positioned as a snapshot in time and not a marker of the current reality. They should come with an expiration date and be able to be updated over time when dynamics shift.
And just as we fact-check stories (or at least one hopes we do), and just as we give people an opportunity to share their side of the story (or at least one hopes we do), reporters and fact-checkers are going to need to share their power maps with the folks they involve to be sure there’s a common reality to work from. And if there’s not, they’ll need to be prepared for people to create multiple versions and multiple POVs of any given map.
As I said in last year’s prediction, power maps will take time to develop. Which means there’s a lot of cultural cleanup to do between now and then in order to re-establish some semblance of a shared set of facts and a shared reality. And starting to shine a light on power, I’m told, will be a critically important part of enabling that change and healing.
Jennifer Brandel is co-founder and senior vice president of global partnerships at Hearken.
Last year for Nieman Lab’s 2020 predictions, I received and published an auspicious article from the future — from the year 2073, to be exact.
After revealing that missive, I heard from many journalists and newsroom folk of today that the journalists in the future seem to have discovered inspired answers to many of the gnarly questions we’re grappling with now. They longed to live in that future reality. And the most exciting aspect for many was the idea of “power mapping.”
To summarize, here’s what the missive from the future says is going to happen: Some feminist cartographers (most of whom have yet to be born, not all of whom will identify as women) will generate a new visual language to help people quickly understand how power flows in any given system. They will develop an intuitive iconography that can be universally understood and applied, and which doesn’t require written or verbal language skills for the viewer to understand what’s happening and what power dynamics are at play.
Storytellers of all kinds in 2073, especially journalists, see this power lexicon as an indispensable and productive method to increase people’s interest in “the news” and to participate in shaping society. Why? Because it’s only when people understand the power dynamics of any given situation that they can shape how that situation resolves or evolves. Knowledge is power; maps are a knowledge format.
Over the course of this past year, I’ve been trying in a variety of mystical and mundane fashions to tap into and download more details about how this whole field of power fluency/power literacy comes to take shape.
The good news: I have some updates!
But to make it happen, newsrooms must start now to make power part of every storyline, to set the foundation for these cartographers to begin developing this language. I’m sorry to add that responsibility to all of your overflowing plates.
What I’ve been tasked to do is provide a few starting points for inspiration for you, dear reader, to begin experimenting with making power the central character and the animating force of your reporting. I hope this helps. <deep breath>
Eric Liu is a Taiwanese-American civic innovator, who started and runs an organization called Citizen University. He wrote a book in 2018 entitled You’re More Powerful Than You Think: A Citizen’s Guide to Making Change Happen. I have read and reread it, and bookmarked the page that outlines the three rules of power. Now that I know them, I see them at play everywhere.
My challenge to you is to consider the following: What would it take for these rules to become common knowledge? How might stories in the news call out which laws of power are at play?
With a solutions lens to reporting, how might journalists also share knowledge of where the leverage points are in the system? (This would no doubt help the public see what’s happening underneath the plotline of names and details, and give them a shorthand for doing their job as citizens in a democracy.)
What if every news story, no matter the form, helped people understand the foundational and systemic structures that are keeping things as is, creating conflict, or enabling new power to flow and, therefore, create new realities?
If journalism’s theory of change is that, by providing updates on “what’s happening,” people are enabled to form opinions and take action — wouldn’t revealing the storylines of power supercharge that ability?
How might newsrooms report equally on the power that already exists, to the infinite new power that’s being created? (E.g., who is starting to gather people, ideas and energy to do something differently?)
The book New Power: How Power Works In Our Interconnected World and How to Make it Work For You, by Jeremy Heimans and Henry Timms, is dedicated to unpacking how old/traditional forms of power differ from the types of new power made possible by this digitally connected world. The following two charts in the book show some of the key differences:
Old power values:
New power values:
Old power: Currency. New power: Current.
Old power: Held by few. New power: Made by many.
Old power: Download. New power: Upload.
Old power: Leader-driven. New power: Peer-driven.
Old power: Closed. New power: Open.
My challenge to you is to consider the following: What if every piece of journalism helped the public understand whether old or new power dynamics and values were at play? How might using this framing help generations better understand one another and why some approaches just will not work anymore?
What if reporters made explicit the values systems that are driving the sources in their stories to make the decisions they do? What might happen if newsrooms examined their own values, and whether they aligned more with old power or new power?
You may be familiar with the idea of “hard” and “soft” power. Soft power is the ability to use influence and attraction — rather than force, threat, or rules (hard power) — to make change happen.
You’ve definitely seen it at play in your life and work. That colleague of yours who doesn’t have a leadership title, but somehow manages to get their ideas heard and acted upon? They’re masters of soft power. That boss who gives orders and uses threats as their main way of making things happen? They use hard power as their instrument.
My challenge to you is to consider the following: What could it look like if every news story explained the soft and hard powers at play?
How would our journalistic narratives around gender change if we paid more attention to soft power, and the advantages it has in uniting and bringing people along with change? (Note: Many people who do not identify as women excel at soft power, so don’t reduce hard and soft power to the sex or gender identity of a person.)
How useful would it have been to understand the 2020 election through the lens of soft and hard power? At one point or another, we all wondered: Is he actually allowed to do that? Having an explanation of hard power would have helped people make sense of, and perhaps ease some anxieties about the many ways things could unfold.
In short, there will be a plethora of formats. The maps may show up as a sidebar in a story that names the players and gives bullet points on the types and qualities of the power at play. There will be “layers” you can turn on in a story to see the chronological poetry of power-shifting playing out over some period of time.
There will arise a handful of common patterns — shapes of power — that are used to give a shorthand visual for the dynamics at play. And, of course, there will be videos that accompany stories that give people the simplified overview of where power is being exerted, where it’s stuck, and what the outcomes are.
That’s all I know for now — and I’m excited to see what you visual thinkers come up with.
Humans are, of course, storytelling animals. When see a pattern, we unconsciously lock into it and then jump to conclusions in an effort to minimize confusion and maximize sense. This proclivity is a nuance-killer, a compassion-stripper, a destroyer of the ability to hold two competing narratives in one’s head simultaneously and recognize when a false dichotomy is at play.
In short: Power maps can also be dangerous.
What do I mean? Take a brief 1:32 to watch this video produced by two researchers, Heider and Simmel, in the 1940s.
What did you see? Was this a story of abuse? Was this a love triangle narrative? Or some kind of alien invasion? Reasonable people can and will disagree. They will locate a pattern and depending on their life experience, and skip straight to one of a handful of conclusions. (Credit here to the brilliant scholar and writer Jonathan Gottschall for giving this talk that inspired these realizations.)
Okay — so then what? We need to be sure we make power maps editable and iterative. Power, like the stuff that flows through our home’s electric circuits, is not static. These visualizations and explanations must be positioned as a snapshot in time and not a marker of the current reality. They should come with an expiration date and be able to be updated over time when dynamics shift.
And just as we fact-check stories (or at least one hopes we do), and just as we give people an opportunity to share their side of the story (or at least one hopes we do), reporters and fact-checkers are going to need to share their power maps with the folks they involve to be sure there’s a common reality to work from. And if there’s not, they’ll need to be prepared for people to create multiple versions and multiple POVs of any given map.
As I said in last year’s prediction, power maps will take time to develop. Which means there’s a lot of cultural cleanup to do between now and then in order to re-establish some semblance of a shared set of facts and a shared reality. And starting to shine a light on power, I’m told, will be a critically important part of enabling that change and healing.
Jennifer Brandel is co-founder and senior vice president of global partnerships at Hearken.
Jean Friedman-Rudovsky and Cassie Haynes A shift from conversation to action
M. Scott Havens Traditional pay TV will embrace the disruption
Andrew Donohue The rise of the democracy beat
Jesse Holcomb Genre erosion in nonprofit journalism
Gonzalo del Peon Collaborations expand from newsrooms to the business side
Stefanie Murray and Anthony Advincula Expect to see more translations and non-English content
Parker Molloy The press will risk elevating a Shadow President Trump
Tamar Charney Public radio has a midlife crisis
Shaydanay Urbani and Nancy Watzman Local collaboration is key to slowing misinformation
Sam Ford We’ll find better ways to archive our work
Zizi Papacharissi The year we rebuild the infrastructure of truth
Linda Solomon Wood Canada steps up for journalism
Kawandeep Virdee Goodbye, doomscroll
Nabiha Syed Newsrooms quit their toxic relationships
María Sánchez Díez Traffic will plummet — and it’ll be ok
Rachel Glickhouse Journalists will be kinder to each other — and to themselves
Marissa Evans Putting community trauma into context
Sara M. Watson Return of the RSS reader
Ariane Bernard Going solo is still only a path for the few
Jennifer Brandel A sneak peak at power mapping, 2073’s top innovation
Doris Truong Indigenous issues get long-overdue mainstream coverage
Astead W. Herndon The Trump-sized window of the media caring about race closes again
Nonny de la Pena News reaches the third dimension
Sonali Prasad Making disaster journalism that cuts through the noise
David Skok A pandemic-prompted wave of consolidation
Nikki Usher Don’t expect an antitrust dividend for the media
Andrew Ramsammy Stop being polite and start getting real
John Saroff Covid sparks the growth of independent local news sites
Mariano Blejman It’s time to challenge autocompleted journalism
Edward Roussel Tech companies get aggressive in local
Don Day Business first, journalism second
Tonya Mosley True equity means ownership
Steve Henn Has independent podcasting peaked?
Logan Jaffe History as a reporting tool
Sue Cross A global consensus around the kind of news we need to save
Hadjar Benmiloud Get representative, or die trying
Jeremy Gilbert Human-centered journalism
Mark Stenberg The rise of the journalist-influencer
Anna Nirmala Local news orgs grasp the urgency of community roots
Alicia Bell and Simon Galperin Media reparations now
Kerri Hoffman Protecting podcasting’s open ecosystem
Tim Carmody Spotify will make big waves in video
Loretta Chao Open up the profession
Megan McCarthy Readers embrace a low-information diet
Anthony Nadler Journalism struggles to find a new model of legitimacy
Errin Haines Let’s normalize women’s leadership
Jonas Kaiser Toward a wehrhafte journalism
Gordon Crovitz Common law will finally apply to the Internet
J. Siguru Wahutu Journalists still wrongly think the U.S. is different
Robert Hernandez Data and shame
Masuma Ahuja We’ll remember how interconnected our world is
Ryan Kellett The bundle gets bundled
Jody Brannon People won’t renew
Rishad Patel From direct-to-consumer to direct-to-believers
Matt Skibinski Misinformation won’t stop unless we stop it
Kevin D. Grant Parachute journalism goes away for good
Juleyka Lantigua The download, podcasting’s metric king, gets dethroned
Bill Adair The future of fact-checking is all about structured data
Jessica Clark News becomes plural
Jim Friedlich A newspaper renaissance reached by stopping the presses
David Chavern Local video finally gets momentum
Janet Haven and Sam Hinds Is this an AI newsroom?
Benjamin Toff Beltway reporting gets normal again, for better and for worse
Cory Bergman The year after a thousand earthquakes
Michael W. Wagner Fractured democracy, fractured journalism
Mike Ananny Toward better tech journalism
Kate Myers My son will join every Zoom call in our industry
Rick Berke Virtual events are here to stay
Candis Callison Calling it a crisis isn’t enough (if it ever was)
Brandy Zadrozny Misinformation fatigue sets in
Jacqué Palmer The rise of the plain-text email newsletter
Chicas Poderosas More voices mean better information
C.W. Anderson Journalism changed under Trump — will it keep changing under Biden?
Matt DeRienzo Citizen truth brigades steer us back toward reality
Nicholas Jackson Blogging is back, but better
Cherian George Enter the lamb warriors
José Zamora Walking the talk on diversity
Marie Shanahan Journalism schools stop perpetuating the status quo
Cindy Royal J-school grads maintain their optimism and adaptability
Taylor Lorenz Journalists will learn influencing isn’t easy
Brian Moritz The year sports journalism changes for good
Alyssa Zeisler Holistic medicine for journalism
Burt Herman Journalists build post-Facebook digital communities
Kristen Muller Engaged journalism scales
Christoph Mergerson Black Americans will demand more from journalism
Eric Nuzum Podcasting dodged a bullet in 2020, but 2021 will be harder
Sarah Marshall The year audiences need extra cheer
Ray Soto The news gets spatial
Amara Aguilar Journalism schools emphasize listening
Ashton Lattimore Remote work helps level the playing field in an insular industry
Patrick Butler Covid-19 reporting has prepared us for cross-border collaboration
Ernie Smith Entrepreneurship on rails
Julia B. Chan and Kim Bui Millennials are ready to run things
Imaeyen Ibanga Journalism gets unmasked
Nisha Chittal The year we stop pivoting
John Garrett A surprisingly good year
Pablo Boczkowski Audiences have revolted. Will newsrooms adapt?
Sumi Aggarwal News literacy programs aren’t child’s play
Gabe Schneider Another year of empty promises on diversity
Rasmus Kleis Nielsen Stop pretending publishers are a united front
Francesco Zaffarano The year we ask the audience what it needs
Zainab Khan From understanding to feeling
John Davidow Reflect and repent
Hossein Derakhshan Mass personalization of truth
A.J. Bauer The year of MAGAcal thinking
Raney Aronson-Rath To get past information divides, we need to understand them first
Nico Gendron Ask your readers to help build your products
Danielle C. Belton A decimated media rededicates itself to truth
Ariel Zirulnick Local newsrooms question their paywalls
Joanne McNeil Newsrooms push back against Ivy League cronyism
Jer Thorp Fewer pixels, more cardboard
Ståle Grut Network analysis enters the journalism toolbox
Pia Frey Building growth through tastemakers and their communities
AX Mina 2020 isn’t a black swan — it’s a yellow canary
Ben Collins We need to learn how to talk to (and about) accidental conspiracists
Mike Caulfield 2021’s misinformation will look a lot like 2020’s (and 2019’s, and…)
Colleen Shalby The definition of good journalism shifts
Victor Pickard The commercial era for local journalism is over
Beena Raghavendran Journalism gets fused with art
Richard Tofel Less on politics, more on how government works (or doesn’t)
Catalina Albeanu Publish less, listen more
Marcus Mabry News orgs adapt to a post-Trump world (with Trump still in it)
Whitney Phillips Facts are an insufficient response to falsehoods
Natalie Meade Journalism enters rehab
Mark S. Luckie Newsrooms and streaming services get cozy
Annie Rudd Newsrooms grow less comfortable with the “view from above”
Laura E. Davis The focus turns to newsroom leaders for lasting change
Garance Franke-Ruta Rebundling content, rebuilding connections
Joshua P. Darr Legislatures will tackle the local news crisis
Tanya Cordrey Declining trust forces publishers to claim (or disclaim) values
Bo Hee Kim Newsrooms create an intentional and collaborative culture
Sarah Stonbely Videoconferencing brings more geographic diversity
Moreno Cruz Osório In Brazil, a push for pluralism
Samantha Ragland The year of journalists taking initiative
Francesca Tripodi Don’t expect breaking up Google and Facebook to solve our information woes
John Ketchum More journalists of color become newsroom founders
Mandy Jenkins You build trust by helping your readers
Chase Davis The year we look beyond The Story
Renée Kaplan Falling in love with your subscription
Aaron Foley Diversity gains haven’t shown up in local news
Talmon Joseph Smith The media rejects deficit hawkery
Alfred Hermida and Oscar Westlund The virus ups data journalism’s game
Tauhid Chappell and Mike Rispoli Defund the crime beat
Ben Werdmuller The web blooms again
Meredith D. Clark The year journalism starts paying reparations
Rodney Gibbs Zooming beyond talking heads
Celeste Headlee The rise of radical newsroom transparency
Julia Angwin Show your (computational) work
Heidi Tworek A year of news mocktails
Delia Cai Subscriptions start working for the middle
Joni Deutsch Local arts and music make journalism more joyous