Brad Esposito got his start as a reporter at BuzzFeed in 2013 and is currently the director of content at Eucalyptus, an Australian health tech company. A version of this interview first ran in his interview newsletter, Very Fine Day, which he created to “give more depth and context to the people who keep the internet humming.” Subscribe here.
Sara Yasin is the managing editor of BuzzFeed News.
I was director of the Curation team, which was running literally every single platform that we were pushing stories out onto and then also managing the art, photo, and copy teams. All four of those teams have very capable leaders, so my job is to make sure that day to day there’s enough coordination and overlap between those teams. I’m also strategically thinking about how to be efficient … but then also thinking about how, you know, we can do things better and be ahead of the curve.
For Art, they’re thinking about presenting it on the website. Copy is thinking about what kind of language we’re using and making sure we don’t have errors. And then Curation is thinking about how we should promote things. We realized that all of these things are very interconnected. But the thing that I think is kind of different is the speed of things. I think that because I came out of Curation, I was very used to being like, “OK, this specific news event is happening, the inauguration is happening, this person do this, this person do that,” and not really thinking ahead. Now I feel like I have to do both — I have to think ahead and also think in the moment.
I was doing kind of boring administrative work. I’d done my Masters in international development and I didn’t know what it meant to work in an organization. I thought, I guess, that I would be saving the world. And then they were like: Here’s some spreadsheets. It was really just a bucket of ice water.
I was blogging quite a bit about the representation of Muslim women in the media, at a pretty academic blog called Muslimah Media Watch. I thought that was the only place where my voice was appropriate. It didn’t even cross my mind that I could access more mainstream platforms.
But someone from Jezebel reposted one or two of my blogs, and then I was like, oh, maybe I’m also interested in writing for the internet. I just didn’t even think this was an option.
I was in London at the time and I went to go work for this organization called Index On Censorship as an editorial assistant. My job was half editorial and half advocacy. Working in advocacy was interesting, because I got to meet cool people, but also really, really, really, disheartening. I got jaded quickly, because it felt like, well, how many action statements could I write?
Obviously you want both. Most human rights organizations want all the kinds of coverage they can get. But the problem that I found a lot of the time was that they didn’t know how to frame things around what people actually want to learn and what they actually want to know. They focused more on what they thought people should care about. And there are plenty of things that people should care about, you know, but if you don’t frame it in a way that makes sense, they’re not going to latch on to it.
It was about freedom of expression. I got to go on a mission trip to Bahrain and I met activists and worked with them and stuff. And so part of it was literally just talking to people and understanding their stories and putting things into reports and doing that kind of thing. And then the other half of it was writing stories — literally covering some of the freedom of expression issues that had happened. One of the first big stories I wrote was about students who were caught up in the protests and were being arrested. That kind of thing.
Another one of the bigger stories I wrote was one of the things that made me understand how important it is to figure out a wider audience. I’m a little fuzzy on it now because it was 2012, but I had a scoop around Kim Kardashian. One of the weird things in the Bahrain story was that at one point they had hired the guy who started Millions of Milkshakes, this thing in Hollywood that used to be this big deal paparazzi stop.
This guy was hired by the Bahraini government to use celebrities to basically repair the public image of Bahrain. At least I think that the remit was repairing the public image of Bahrain, but it was kind of obvious that part of it was also bringing in celebrities. So they brought Kim Kardashian over to … I think Bahrain and Kuwait. And I wrote this story like: this is the guy who is responsible for Kim Kardashian going to Bahrain.
She talks a lot about the activism and social media crossover. Do you think the industry of world affairs and activism has the same issues now? Or do you think they understand social media a bit better and the internet a bit better [than they did in 2011]?
Similarly, I think the old school people sitting around doing a lot of human rights work didn’t really know how to think about social media. Now I feel like people recognize how things happen on there but also maybe [recognize] the harm a bit more.
I think it’s difficult to talk about human rights issues in an open way on social media, because of the troll accounts.
I often think that people are way too cynical about what [audiences] want to consume, and that goes beyond the internet. I think you see this with literally everything. I think that [audiences] are a lot smarter than we think they are. The assumption that people aren’t smart, or that they don’t want to read anything that’s complicated or intelligent, I think, has led to some really bad decisions.
I think that there was this push to tell people what to think … Gen Z seems very allergic to people being condescending toward them. And I think that’s partially because they grew up immersed in that kind of content, and so they’re like, stop telling me what to think, please.
But do you ever feel kind of jaded? Because this is something I experienced when I started doing some, I guess, more traditional reporting about the medicinal cannabis movement in Australia. I’m talking to parents whose children have died, parents whose children are intensely sick and who can’t get access to this medicine. I’m talking to kids who can’t get access to this medicine. And so you spend a lot of energy working on this project and you write it up and you publish it. And then it’s like: 400 people care. And then you write another thing in that same day that’s like: Look At This Funny Chair That Kim Kardashian Sat On, and 500 million people want to look at this funny chair.
I’m still not sure I’ve learned how to emotionally deal with that and figure out: OK, how do I get more attention toward the thing I really want people to pay attention to?
I do think that sometimes it’s a matter of getting things in front of the right audience. You know, sometimes you’re going to write a story that only has 10,000 views — but it’s introduced as evidence in a Senate hearing, and I feel like that is equal to a story that gets a million views.
But I do think that there is a way to make sure that those stories get their best shot. One of the things I’m constantly saying to foreign correspondents and people in that space is that a good story is a good story. If you find the right angle, and if you find a headline, and you package it well, then you can get it to the right people and you can give it its best shot. But you have to balance that with maintaining the integrity of the story.
I [work in] media because I wanted people to care about the human impact of things. Growing up Muslim in the U.S. meant that I literally felt the impact of [news outlets] making lazy decisions when they were reporting on Muslims.
I went to NC State, which has a lot of people from very rural parts of North Carolina who in some cases had never seen a non-white person. And there were so many people who told me that they thought that all Muslims were terrorists because they only watched Fox News growing up.
Sometimes people would ask me if I wore a hijab in the shower and I felt like I couldn’t sarcastically reply. I couldn’t be like, “What do you think the point of a shower is?” because I didn’t want them to think I was an asshole.
I worked at a camp when I was in college, and a lot of those kids told me that they assumed that I was a terrorist because of being Muslim. When I would first meet them, they would be so scared of me, because they didn’t know what to make of me.
I feel like a certain element of social media has made us lose our ability to humanize people. And that’s something that terrifies me, honestly.
In my line of work, in particular, there are a lot of snake oil salesmen who pretend like they understand the algorithms. And I think the basic thing that anyone who has any shade of a social job knows is that we literally don’t understand the algorithm, right? We can optimize as much as we can, and we can try to position things as well as we can, and we have tools to understand how the algorithms have changed and what they might be prioritizing or how they might be feeding things or how the tech companies are thinking about changing them.
But at the same time, they are changing so much that the way that we would hurt ourselves is by having a static mentality toward how the algorithm works. There’s no transparency. We have a general sense of how people are seeing content, and we can guess how things are shifting. But if there’s a big algorithm change, that really hurts digital organizations a lot.
If I may go back to the beginning of my career, around [the time of] these revolutions in the Middle East, it felt like people were being heard. That’s kind of naive, right, but I was in my early 20s and that’s what that does to you: You think there’s all this change that’s coming, blah, blah, blah.
Now, I’m thinking about the opposite end of that. We’re at a point where these platforms are not the places for amplifying voices that we don’t hear from. They can now be used very cynically and everyone has their own version of reality … The example I always use is, for example, homelessness. I grew up in Raleigh and it’s very purple … no one [used to say] homelessness doesn’t exist. People argued over how to address homelessness. Now, it’s like: is this even real?
For [the millennial generation], we were like, “Don’t read the comments. We’re just going to ignore this part of it.” And they’re like, oh, no, we’re embracing this, and this isn’t going to be a toxic place. And I like that, because I feel like it shows that the next generation thinks that the internet is a real place. We sometimes conduct ourselves online as if it doesn’t count in real life. And I think that Gen Z knows that there is some weight to what you say on the internet, because they’ve seen the consequences of that in every possible way.