We remember the importance of face-to-face reporting

“It might let you glimpse that almost imperceptible frown on your source’s face when you ask a question.”

What new digital disruption does 2022 have in store for journalists? This year is actually gearing up to have more of a vintage flavor. With the Covid crisis still fresh, the spotlight is turning back to the good old low-tech art of on-the-ground reporting,

Almost two years after a global health crisis forced newsrooms to improvise, coming back to the field and rekindling in-person interactions can be a challenge. Some reporters will tell you they’re feeling a little rusty. Others say it was easier to be protected by a screen when covering the world’s misery. Some will even admit that reporting from a sofa has its perks — and, in terms of comfort, definitely beats the uncertainty of meeting anonymous sources in the field.

Technology enables the production of more and more remote reporting — at a cheaper cost, from a business point of view. But there is a crucial need to get back to sources and events in the physical world. Only in real life is it possible to scrutinize the slightest signal without being limited by the time slot designated for a call. If you’re distracted by a source’s background on a Zoom call, you might notice what’s on their desk or happening in the corridor near them. Face-to-face reporting saves you from the burden of frozen Facetime images on a bad connection. It might let you glimpse that almost imperceptible frown on your source’s face when you ask a question.

It’s complicated to get to the truth. Getting to the bottom of an issue exclusively from a distance seems a nearly impossible task, even with the habit of a sedentary lifestyle imposed by curfews and lockdowns during Covid.

“When I was in Colombia to report the life and death of the socialist leader Maritza Quiroz Leyva, I had to check with no less than six sources, realizing that these six people could, at any time, give me six different versions,” recalls the French reporter Emilienne Malfatto. Margaux Benn, a journalist of dual French and Canadian nationality, had the same experience, where she had to consult 15 sources to check a piece of information.

Being online adds more complexity. There’s no hierarchy between people with no agenda, experts with an agenda, fake accounts, and so on. Hate, fakes, and data are one big mess; all sources are speaking at the same level and at the same time. To understand the facts behind a story on Instagram or TikTok, an organic exchange, an actual conversation, with all its in-person perks, as well as its annoyances, is essential. In a recent presentation to students at Sciences Po, Clarissa Ward, chief international correspondent at CNN, compared an interview to a dance. “You need to be in the moment to listen to what a person is telling you — it is a real engagement between two individuals, as opposed to a person reading a list of questions and doing their best impression of what listening looks like. Look at their body language and hear them.”

In 2022, as journalists strive to distinguish between sincere insights and questionable testimonies, getting back into the field is bound to come back into fashion.

Alice Antheaume is executive dean of the Sciences Po Journalism School in Paris.

What new digital disruption does 2022 have in store for journalists? This year is actually gearing up to have more of a vintage flavor. With the Covid crisis still fresh, the spotlight is turning back to the good old low-tech art of on-the-ground reporting,

Almost two years after a global health crisis forced newsrooms to improvise, coming back to the field and rekindling in-person interactions can be a challenge. Some reporters will tell you they’re feeling a little rusty. Others say it was easier to be protected by a screen when covering the world’s misery. Some will even admit that reporting from a sofa has its perks — and, in terms of comfort, definitely beats the uncertainty of meeting anonymous sources in the field.

Technology enables the production of more and more remote reporting — at a cheaper cost, from a business point of view. But there is a crucial need to get back to sources and events in the physical world. Only in real life is it possible to scrutinize the slightest signal without being limited by the time slot designated for a call. If you’re distracted by a source’s background on a Zoom call, you might notice what’s on their desk or happening in the corridor near them. Face-to-face reporting saves you from the burden of frozen Facetime images on a bad connection. It might let you glimpse that almost imperceptible frown on your source’s face when you ask a question.

It’s complicated to get to the truth. Getting to the bottom of an issue exclusively from a distance seems a nearly impossible task, even with the habit of a sedentary lifestyle imposed by curfews and lockdowns during Covid.

“When I was in Colombia to report the life and death of the socialist leader Maritza Quiroz Leyva, I had to check with no less than six sources, realizing that these six people could, at any time, give me six different versions,” recalls the French reporter Emilienne Malfatto. Margaux Benn, a journalist of dual French and Canadian nationality, had the same experience, where she had to consult 15 sources to check a piece of information.

Being online adds more complexity. There’s no hierarchy between people with no agenda, experts with an agenda, fake accounts, and so on. Hate, fakes, and data are one big mess; all sources are speaking at the same level and at the same time. To understand the facts behind a story on Instagram or TikTok, an organic exchange, an actual conversation, with all its in-person perks, as well as its annoyances, is essential. In a recent presentation to students at Sciences Po, Clarissa Ward, chief international correspondent at CNN, compared an interview to a dance. “You need to be in the moment to listen to what a person is telling you — it is a real engagement between two individuals, as opposed to a person reading a list of questions and doing their best impression of what listening looks like. Look at their body language and hear them.”

In 2022, as journalists strive to distinguish between sincere insights and questionable testimonies, getting back into the field is bound to come back into fashion.

Alice Antheaume is executive dean of the Sciences Po Journalism School in Paris.

Francesco Zaffarano

Meena Thiruvengadam

Cherian George

Michael W. Wagner

Mario García

Catalina Albeanu

Megan McCarthy

Shalabh Upadhyay

Candace Amos

Daniel Eilemberg

Gordon Crovitz

Amara Aguilar

Larry Ryckman

Jessica Clark

Tamar Charney

Jim Friedlich

Victor Pickard

Julia Angwin

S. Mitra Kalita

Shannon McGregor & Carolyn Schmitt

Julia Munslow

Matthew Pressman

Whitney Phillips

Alice Antheaume

Richard Tofel

James Green

Moreno Cruz Osório

Cristina Tardáguila

AX Mina

Sarah Marshall

Kendra Pierre-Louis

Simon Galperin

Kerri Hoffman

Stefanie Murray

Joanne McNeil

Sarah Stonbely

A.J. Bauer

Chicas Poderosas

Jennifer Coogan

Eric Nuzum

Zizi Papacharissi

Chase Davis

Anita Varma

Millie Tran

Juleyka Lantigua

Mandy Jenkins

Kathleen Searles & Rebekah Trumble

Ståle Grut

Doris Truong

James Salanga

Jesenia De Moya Correa

Jonas Kaiser

Anika Anand

Don Day

j. Siguru Wahutu

Wilson Liévano

Christoph Mergerson

Kristen Muller

Kristen Jeffers

Matt Karolian

Brian Moritz

Gabe Schneider

Laxmi Parthasarathy

Amy Schmitz Weiss

Mike Rispoli

Natalia Viana

David Skok

Parker Molloy

Errin Haines

Cindy Royal

Simon Allison

Stephen Fowler

Paul Cheung

Andrew Freedman

Mary Walter-Brown

Sam Guzik

Melody Kramer

Rachel Glickhouse

John Davidow

Rasmus Kleis Nielsen

Gonzalo del Peon

Joy Mayer

Christina Shih

Joe Amditis

Burt Herman

Joni Deutsch

Tony Baranowski

Tom Trewinnard

Jesse Holcomb

Robert Hernandez

Anthony Nadler

Matt DeRienzo

Jody Brannon

Ariel Zirulnick

Raney Aronson-Rath

Nikki Usher

David Cohn

Joshua P. Darr

Izabella Kaminska

Jennifer Brandel