Linking content and format will be key

“To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core.”

Journalists have traditionally seen their job as creating content. How that content then progresses — from when the journalist types the last sentence to when the story is ready for consumption — is usually a process involving other members of an editorial team: copy editors, art directors and designers, and other production people.

As I prepare the Spring 2022 syllabus for my Multiplatform Design & Storytelling class at Columbia University, I’m keenly aware that the students I train and mentor to be journalists need to become adept at how content and story formats come together.

The link that journalism and technology share has never been more essential and stronger. We can no longer separate how stories flow, how they are updated, and how they are promoted in social media and newsletters from the technology that allows for the constant flow of information.

This isn’t to say that journalists need to become coders. But a journalist today must understand the technical processes that allow us to keep information current and to tell stories in a more engaging, mobile-friendly manner. Readers who consume news and features on mobile devices appreciate stories that are told seamlessly, with the narrative and visual assets coming together in a natural flow. To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core. The idea must be to start thinking of how the story would be consumed in small formats (such as phone screens) and then adapt it to larger formats (such as printed material).

How a story is packaged today corresponds directly with the platform in which it will be consumed. It’s up to the individual reporter to recognize what each platform can do best and to exploit those qualities in the way the story is written and designed. For mobile stories, appeal to the senses beyond static photos to incorporate audio and video components.

We already see content relevance, format, and presentation becoming key engines to effective visual storytelling. In 2022, the emphasis on how content and format come together should be a centerpiece of strategic discussions in every newsroom.

Journalists have traditionally seen their job as creating content. How that content then progresses — from when the journalist types the last sentence to when the story is ready for consumption — is usually a process involving other members of an editorial team: copy editors, art directors and designers, and other production people.

As I prepare the Spring 2022 syllabus for my Multiplatform Design & Storytelling class at Columbia University, I’m keenly aware that the students I train and mentor to be journalists need to become adept at how content and story formats come together.

The link that journalism and technology share has never been more essential and stronger. We can no longer separate how stories flow, how they are updated, and how they are promoted in social media and newsletters from the technology that allows for the constant flow of information.

This isn’t to say that journalists need to become coders. But a journalist today must understand the technical processes that allow us to keep information current and to tell stories in a more engaging, mobile-friendly manner. Readers who consume news and features on mobile devices appreciate stories that are told seamlessly, with the narrative and visual assets coming together in a natural flow. To do this effectively, journalists must conceptualize stories through an honest discussion that has format at its core. The idea must be to start thinking of how the story would be consumed in small formats (such as phone screens) and then adapt it to larger formats (such as printed material).

How a story is packaged today corresponds directly with the platform in which it will be consumed. It’s up to the individual reporter to recognize what each platform can do best and to exploit those qualities in the way the story is written and designed. For mobile stories, appeal to the senses beyond static photos to incorporate audio and video components.

We already see content relevance, format, and presentation becoming key engines to effective visual storytelling. In 2022, the emphasis on how content and format come together should be a centerpiece of strategic discussions in every newsroom.

Stephen Fowler

Moreno Cruz Osório

Wilson Liévano

Cherian George

Robert Hernandez

S. Mitra Kalita

Rachel Glickhouse

Matt Karolian

Stefanie Murray

Julia Angwin

Christina Shih

Joe Amditis

Larry Ryckman

Victor Pickard

Brian Moritz

Matt DeRienzo

Parker Molloy

Gonzalo del Peon

Meena Thiruvengadam

Juleyka Lantigua

Jonas Kaiser

Cindy Royal

Sarah Marshall

Shalabh Upadhyay

Mandy Jenkins

Izabella Kaminska

James Salanga

David Skok

Eric Nuzum

Laxmi Parthasarathy

Cristina Tardáguila

Jennifer Brandel

Daniel Eilemberg

Kerri Hoffman

Candace Amos

Jesse Holcomb

Amy Schmitz Weiss

Zizi Papacharissi

Kendra Pierre-Louis

Ariel Zirulnick

John Davidow

Gordon Crovitz

Doris Truong

Whitney Phillips

Amara Aguilar

Matthew Pressman

Gabe Schneider

A.J. Bauer

Tamar Charney

Anthony Nadler

Chase Davis

Mike Rispoli

Simon Galperin

Sarah Stonbely

Mario García

Simon Allison

Joni Deutsch

Melody Kramer

Richard Tofel

Rasmus Kleis Nielsen

Sam Guzik

Raney Aronson-Rath

Francesco Zaffarano

Anika Anand

Alice Antheaume

j. Siguru Wahutu

Joshua P. Darr

Kathleen Searles & Rebekah Trumble

Jessica Clark

Paul Cheung

Nik Usher

Natalia Viana

Jennifer Coogan

Millie Tran

Burt Herman

Chicas Poderosas

Don Day

Tom Trewinnard

James Green

Andrew Freedman

Kristen Jeffers

Shannon McGregor & Carolyn Schmitt

Kristen Muller

Jesenia De Moya Correa

Ståle Grut

Jim Friedlich

Christoph Mergerson

Joy Mayer

Tony Baranowski

Anita Varma

Jody Brannon

AX Mina

Julia Munslow

Mary Walter-Brown

Michael W. Wagner

Joanne McNeil

David Cohn

Megan McCarthy

Catalina Albeanu

Errin Haines