Spatial journalism will see its day in the sun

“Spatial journalism is not about just using locative technology. It’s also about understanding how spaces and places create meaning for the user.”

The pandemic upended every aspect of life in the world, and the news industry is no exception. But I’m optimistic that 2022 will be a different year.

The pandemic has shown the power of locative data and its connection to the user. People have spent more time using digital tools to find resources in their immediate neighborhood: getting food delivered, supporting a local business a block away, checking the number of Covid-19 cases in their city, and finding parks or nature spaces to escape to amid all the craziness.

These motivations for information nearby (and the behaviors that fulfill them) are now happening more than ever. The location-based services industry is estimated to be worth $48.5 billion by 2026. For local news organizations, this poses a unique and important opportunity to connect the dots — all the pieces of information tied to places and spaces in their community — in order to let the public learn more about what’s happening around them.

I have spent six years exploring how space and place are impacting journalism and storytelling through the lens of spatial journalism. Spatial journalism is here, and it’s ready for news organizations that are ready to embrace it.

Spatial journalism is not about just using locative technology. It’s also about understanding how spaces and places create meaning for the user. It’s a mindset and a framework to work from. From that point, one can use a variety of approaches to convey the spatial information to the user: maps, geolocation, location segmentation, or customization.

This kind of place-based knowledge that can be constructed from connecting spatial data and information is what I wrote about in 2014 and is what’s happening now in 2021. Users are seeking location-based information to make daily decisions in their lives. Factal, BK Reader, and the LenFest Local Lab are among the pioneering organizations that have embraced this approach. In fact, The New York Times’s R&D department also recently created a special area devoted to spatial journalism.

Connecting spaces and places to information might be considered common sense. But the mindset and framework to employ a spatial understanding of the community aren’t typical in journalism. This kind of spatial understanding has long been a part of other fields, like architecture, geography, and urban planning — but less so in news.

That can change. When news organizations are in a moment of self-reflection and upheaval, the opportunity to change the dominant narrative is there. There can be a change to how communities are understood, covered, and connected when we revisit the idea of spaces and places through the creation of spatial narratives, place-based knowledge, and locative data.

Amy Schmitz Weiss is a professor in the School of Journalism and Media Studies at San Diego State University.

The pandemic upended every aspect of life in the world, and the news industry is no exception. But I’m optimistic that 2022 will be a different year.

The pandemic has shown the power of locative data and its connection to the user. People have spent more time using digital tools to find resources in their immediate neighborhood: getting food delivered, supporting a local business a block away, checking the number of Covid-19 cases in their city, and finding parks or nature spaces to escape to amid all the craziness.

These motivations for information nearby (and the behaviors that fulfill them) are now happening more than ever. The location-based services industry is estimated to be worth $48.5 billion by 2026. For local news organizations, this poses a unique and important opportunity to connect the dots — all the pieces of information tied to places and spaces in their community — in order to let the public learn more about what’s happening around them.

I have spent six years exploring how space and place are impacting journalism and storytelling through the lens of spatial journalism. Spatial journalism is here, and it’s ready for news organizations that are ready to embrace it.

Spatial journalism is not about just using locative technology. It’s also about understanding how spaces and places create meaning for the user. It’s a mindset and a framework to work from. From that point, one can use a variety of approaches to convey the spatial information to the user: maps, geolocation, location segmentation, or customization.

This kind of place-based knowledge that can be constructed from connecting spatial data and information is what I wrote about in 2014 and is what’s happening now in 2021. Users are seeking location-based information to make daily decisions in their lives. Factal, BK Reader, and the LenFest Local Lab are among the pioneering organizations that have embraced this approach. In fact, The New York Times’s R&D department also recently created a special area devoted to spatial journalism.

Connecting spaces and places to information might be considered common sense. But the mindset and framework to employ a spatial understanding of the community aren’t typical in journalism. This kind of spatial understanding has long been a part of other fields, like architecture, geography, and urban planning — but less so in news.

That can change. When news organizations are in a moment of self-reflection and upheaval, the opportunity to change the dominant narrative is there. There can be a change to how communities are understood, covered, and connected when we revisit the idea of spaces and places through the creation of spatial narratives, place-based knowledge, and locative data.

Amy Schmitz Weiss is a professor in the School of Journalism and Media Studies at San Diego State University.

Amy Schmitz Weiss

Mandy Jenkins

Sam Guzik

Joni Deutsch

Matt Karolian

Whitney Phillips

Mario García

Sarah Marshall

Eric Nuzum

Jessica Clark

Gonzalo del Peon

Errin Haines

Laxmi Parthasarathy

Francesco Zaffarano

Izabella Kaminska

Cherian George

Catalina Albeanu

Kristen Jeffers

Moreno Cruz Osório

Wilson Liévano

Anita Varma

Chicas Poderosas

Don Day

Matt DeRienzo

Millie Tran

Paul Cheung

Stefanie Murray

Kristen Muller

Amara Aguilar

Ståle Grut

Joshua P. Darr

Jonas Kaiser

Natalia Viana

Shalabh Upadhyay

Jim Friedlich

Sarah Stonbely

Tony Baranowski

Kathleen Searles & Rebekah Trumble

John Davidow

Shannon McGregor & Carolyn Schmitt

Rachel Glickhouse

Robert Hernandez

Joy Mayer

Parker Molloy

Alice Antheaume

Melody Kramer

Simon Allison

David Cohn

AX Mina

Simon Galperin

Tom Trewinnard

Christoph Mergerson

Megan McCarthy

Mike Rispoli

Cristina Tardáguila

Cindy Royal

Tamar Charney

Daniel Eilemberg

Larry Ryckman

Candace Amos

Raney Aronson-Rath

Nikki Usher

Kendra Pierre-Louis

S. Mitra Kalita

Ariel Zirulnick

Matthew Pressman

Zizi Papacharissi

Stephen Fowler

Meena Thiruvengadam

Jesenia De Moya Correa

Mary Walter-Brown

Jennifer Coogan

Gabe Schneider

Juleyka Lantigua

Kerri Hoffman

Julia Munslow

Brian Moritz

Gordon Crovitz

Richard Tofel

Rasmus Kleis Nielsen

Victor Pickard

David Skok

Doris Truong

Anika Anand

Jody Brannon

Chase Davis

Jesse Holcomb

Joanne McNeil

Christina Shih

Julia Angwin

Burt Herman

A.J. Bauer

Andrew Freedman

James Salanga

j. Siguru Wahutu

Joe Amditis

James Green

Michael W. Wagner

Jennifer Brandel

Anthony Nadler