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Key links:
Primary website:
frontline.org
Primary Twitter:
@frontlinepbs

Editor’s Note: Encyclo has not been regularly updated since August 2014, so information posted here is likely to be out of date and may be no longer accurate. It’s best used as a snapshot of the media landscape at that point in time.

Frontline is an hourlong documentary series produced by WGBH in Boston and distributed by PBS.

Frontline is one of PBS’ flagship national news programs, having won numerous awards since its debut in 1983.

The program has sought to expand its digital presence by producing blogs and shorter, quick-turnaround stories on the web. Journalists manage multiple Twitter accounts covering different “beats,” including national security, global economics, and the media. In 2011, Frontline hired new-media journalists to manage the program’s transition to a “post-broadcast future.” It began to move into interactive online video during the 2012 presidential campaign.

Frontline is an editorial partner to Tehran Bureau, a “virtual” bureau that generates original, nonpartisan reporting and opinion about Iran.

Frontline is funded primarily by nonprofit foundations and individual donors, including the MacArthur Foundation and The Bill & Melinda Gates Foundation, as well as the Corporation for Public Broadcasting and membership dues from local PBS stations. In 2014, it received a $5 million grant from Jon and Jo Ann Hagler and an $800,000 grant from the Ford Foundation to establish a cross-platform Enterprise Journalism Group. Unlike NewsHour, its cousin in public television, Frontline does not receive corporate support.

Peers, allies, & competitors:
Recent Nieman Lab coverage:
Feb. 19, 2019 / Laura Hazard Owen
“Rebuilding a local news ecosystem”: Knight pledges $300 million to local news, free speech, and media literacy organizations — The John S. and James L. Knight Foundation will provide a whopping $300 million over five years to organizations including the American Journalism Project, Reporters Committee for Freedom of the Press, and and ProPublica...
Sept. 5, 2017 / Laura Hazard Owen
Frontline aims for a new level of intimacy in its first-ever podcast, The Frontline Dispatch — There have always been stories that Frontline wants to tell that, for one reason or another, didn’t work for film. In some cases, these stories are particularly sensitive, or involve people under 18. There is, for ...
Sept. 5, 2017 / Nicholas Quah
These are the most important developments in the podcast business so far in 2017 — Welcome to Hot Pod, a newsletter about podcasts. This is issue 135, published September 5, 2017. Programming note! Ah yes, so we are in September! As you might already know, I’m taking a five-issue break from writi...
Jan. 25, 2017 / Laura Hazard Owen
Frontline’s new interactive, annotated film can be shared in pieces on social media — Frontline has worked to provide primary source materials around its films for years, but that’s mostly taken the form of additional documents and extended interviews on its website. But with its latest film, “...
May 18, 2016 / Laura Hazard Owen
Frontline is finding new mic-drop moments for good old-fashioned reporting — Raney Aronson grew up without television. Her mother and stepfather were back-to-the-landers who moved the family to a rural Vermont town when Aronson was eight, grew their own organic food, and occasionally took Raney a...

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Primary author: Andrew Phelps. Main text last updated: July 3, 2014.
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The Nieman Journalism Lab is a collaborative attempt to figure out how quality journalism can survive and thrive in the Internet age.
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